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October 3, 2015 – October 25, 2015
Opening Reception: Saturday, October 3 from 1 to 3 PM
Ongoing Performances: Sundays at 2 PM, the space will be open from 1-3 PM
Closing Reception: Sunday, October 24 at 3pm
During the month of October, Every House Has A Door presents Caesar’s Bridge at Comfort Station in Logan Square. Caesar's Bridge is a performance based on the ideas behind Julius Caesar building a bridge over the Rhineland. The sculptural/architectural installation by Ilie Paun Capriel places the audience below the orator of the performance. Every House Has A Door – Lin Hixson and Matthew Goulish – create performances based on historically or critically neglected subjects, in which the subject(s) remain absent from the works. Distinct modes – recitation, installation, movement, music – invite the viewer to assemble the parts in duration and to rediscover the missing subject within their own space and time.
* Every House Has A Door's Caesar's Bridge received a Chicago Tribune's Best of 2015 Visual Art review by Lori Waxman.
PRESS
October 3, 2015 – October 25, 2015
Opening Reception: Saturday, October 3 from 1 to 3 PM
Ongoing Performances: Sundays at 2 PM, the space will be open from 1-3 PM
Closing Reception: Sunday, October 24 at 3pm
During the month of October, Every House Has A Door presents Caesar’s Bridge at Comfort Station in Logan Square. Caesar's Bridge is a performance based on the ideas behind Julius Caesar building a bridge over the Rhineland. The sculptural/architectural installation by Ilie Paun Capriel places the audience below the orator of the performance. Every House Has A Door – Lin Hixson and Matthew Goulish – create performances based on historically or critically neglected subjects, in which the subject(s) remain absent from the works. Distinct modes – recitation, installation, movement, music – invite the viewer to assemble the parts in duration and to rediscover the missing subject within their own space and time.
* Every House Has A Door's Caesar's Bridge received a Chicago Tribune's Best of 2015 Visual Art review by Lori Waxman.
PRESS